A Job for Life

‘I woke at six. I need no alarm clock. I was already comprehensively alarmed.’
Silence followed Murray’s smug words and he shot his audience a peevish look.

Only Owlish seemed to be listening, he blinked two large eyes and shuffled his chicken wire wings. Murray pursed his lips and decided to help them get to the punchline. He waved his left arm in the air and pulled his sleeved down, exposing raw, puckered skin, and an ugly rend which dominated most of the ruined limb. Nestled amongst the pus and tendons was a green Bakelite alarm clock, its second hand had fallen off, but the hours and minutes still ticked.

‘Comprehensively alarmed.’ He shoggled the limb and blood started to seep from the tender flesh.

Owlish turned his head away, the whole hundred and eighty degrees.

‘Clearly I’m only one whose had their coffee this morning!’ Murray grumbled. He picked up a spanner and wiped dried blood from its head. ‘Speaking of coffee – De’Longhi?’ the dark corners of the shed shuffled, but nobody came forward. ‘De-Loooonnnghiiiiiii.’ 

A trundle of wheels answered Murrays call as finally De’Longhi rolled forth. Her feet had been replaced with office chair wheels, her lovely long legs curved upwards, to her hips which now supported a rusty coffee machine, upon which her heavy bosom rested nestled amongst the stacks of cups.

‘Cappuccino,’ Murray demanded. ‘Anyone else?’ No reply.

De’Longhi smiled weakly and started his order. Her gel nails were chipped and as she steamed the milk flakes of pink tumbled into the froth, where they spun and twisted.

‘You do make a fine coffee,’ Murray offered her rare praise. ‘Shame you had to go on maternity leave, the office wasn’t the same without you. I told you when you started, we are a family. You don’t walk away from your first family.’ He glanced down at her wheels and smirked.

De’Longhi poured the espresso and topped it with steamed milk and froth. Her mottled hands were shaking and a maggot fell from her flesh and plopped into the beverage. She started to shake, cups clattering.

‘Extra protein,’ Murray smiled, his dry lips stretching thin over stained teeth as he took the cup. As De’Longhi retreated and he slapped her behind playfully.

Owlish hooted reproachfully.

‘What?’ Silence. ‘Yeah I thought so. No backbone, you were a weak and pathetic security guard and whilst you’ve changed a great deal you’re still pitiful.’

He sipped his coffee for a moment, then pulled the sheets from the workbench. Gary the intern lay there, his mouth bound with gaffer tape. Next to him was the office fax machine, the one that only he had been able to work, when Gary left his placement, returning to college the damned thing had given up.

Murray ran a finger along the machine, ‘You weren’t the only one who missed him. But he’s here now.’ He smiled at Gary, ‘Aren’t you.’ The lads eyes bulged and he strained at the telephone cords binding his limbs. ‘No, no my dear boy don’t fret, this is a job for life. Think of it, lifelong security, not many companies offer that anymore.’

Murray turned away to consider his sketched-out plans, he had been careful to consult with the fax machines manual while planning Gary’s premotion. Tinkering was a fine art you could never be too careful.

‘Tell me Gary, where do you see yourself in ten years’ time?’ he asked wondering if he had left enough room for upgrades, what if the office went fully digital, switched to email entirely. ‘Do you know how to send and receive emails? You’re young, is that something you’ve learnt at your fancy college?’ Murray turned back to the youth, but Gary wasn’t on the workbench anymore, nor was the fax machine.

‘Gary?’

A flash of white and something heavy smashed into Murrays face. The fax machine. Gary swung again, this time striking Murray in the stomach.

‘I quit!’ Gary roared as Murray slumped to the ground. He turned and rushed towards the door where he struggled with the bolts. Just as he pulled the last one free Owlish swept in, leaping from the shelf in a flurry of wire and feathers. It didn’t take him long to subdue the youth. Murray sat up, shaking his head sadly at Gary. But he quickly brightened and smiled at Owlish, ‘Somebody’s getting their bonus this year.’

© Juliet Robinson, 2024 all rights reserved. 

Image – Bing Image creator, a creepy workshop

Protector

The child who has just thrown herself like a shield over a rotting synth causes me to pause. Forces me to see her. She lies draped upon the cowering machine and she glares at me. She’s scared, but defiant. I shift my rifle, making sure she can see its aimed at her. She takes a jagged breath but doesn’t move.

‘Step away from the synth.’ My voice is sterile and authoritative.

She shakes her head. She’s terrified, but she still doesn’t move.

‘I am here for the synth,’ I say. My gun doesn’t waver, but neither does this small half-starved human shield.

‘Not Polly.’

I stare at her from behind my visor. She’s shaking, her whole-body rattles, but she doesn’t
back down. She’s tiny, malnourished, no different from any other slum rat, except that she’s brave enough to defy me, she’s able to overrule the animal parts of her brain that are probably screaming for her to run, to flee into the twisting alleys that make up the Pritech Quarter.

I am used to people protesting when we come for the synths. But not like this – Who’s going to look after me now? How am I going to get work done around the store without it? That thing cost me a lot of money. Am I going to be compensated?

Polly, an odd and soft name for a synth.

There’s chatter over the comms, other patrol members reporting in, synths being brought
back to the convoy, and I am still standing here considering this street rat and her Polly. I
have a job to do, I have orders, not worth the trouble of not doing my duty, I need this job. I lower my rifle and pull my holstered stun pistol, aiming it at the child. I will use it, I would rather not, but I am here for the synth, and she is in my way.


‘You have till the count of five,’

She doesn’t blink.

‘One,’ I pause giving her chance, ‘two,’ another pause, ‘Thr …’

The synth moves. With practiced ease I holster my stunner, swing my rifle up and aim it
at the pair, not taking any chances. The synth gently curls a hand round the girl’s bony wrist, its missing fingers, the index and the pinkie and the synthetic epidermis on its hands looks rotten. It can’t rot, its not real, but this synth is old and that’s why I am here for it. Another virus, the work of yet another smart-arse hacker is doing the rounds. The older synths have less protection, so it struck them harder, for the most part its just affected their motor functions causing erratic twitching and immobility. But others the virus has had a more dramatic effect on, like the service synths at Sukara Sushi the virus managed to take full control of their systems, and it weaponised them. After attending that mess, I won’t be eating sushi anytime soon.

‘I will come with you Protector,’ the synth says.

Its voice is rasping and weary. It possesses a human like quality, the melancholic echoes
of a lifelong lived.

‘No!’ the girl wails. It’s the first time she’s let fear and panic take control. Her stick thin
legs scrabble for a purchase on the synth as it rises to its feet, a desperate attempt to hold on. ‘No, no, no!’ Her arms tighten around its neck. ‘Polly, please!’

The synth is now standing, the girl wrapped around it like a primate infant clinging to its
mother. (I have seen those in reruns of centuries old documentaries, visited them in the
artificial zoo.) With its full form unfolded, I can see the extent of its deterioration, the ravages which time have worked upon it. It’s an antique, a Mark Two, maybe even a relic from the Mark One era. How is this ancient machine still functioning? Its survived decades, perhaps even a century.

‘It will be ok. You will be ok,’ it assures the girl whose face is buried in its neck.
Slowly and with great care it starts to detach the child. Initially she resists, fighting this
removal with the same tenacious ferocity from earlier. But then as if a thread has snapped, a dam broken the fight goes out of her, her tiny body falls limp, the fierce spirit dissolving. Her surrender fractures something within me, a shard of empathy pieces the calloused armor of my rank and role. Protector, here to collect, to bring the hacked synths in for repurposing, stripping down, recycling.

My rifle is heavy. ‘I can’t do it,’ the words scrape against my throat.

With a shaky breath I lower my weapon. My mind races – scrub the data from my helmet
cam, I’ve done it before, but for lesser sins. It’s a gamble, I’ve a lot to lose, people depending on me. I turn my back on the pair, heading away from the heavy shadows of this alley, the synths voice follows me through the gloom.

‘Thank you, Protector.’

© Juliet Robinson 2024, all rights reserved

child and ancient synthetic robot – bing image creator